These techniques are variations on the same theme, wood graining is merely an extension and amplification of dragging. However, dragging will show up any imperfections in the wall, so it is best kept for surfaces that are perfectly smooth. Wood graining effects can look stunning in the right situation and will add interest to an otherwise plain interior.
Both of these techniques involve pulling or dragging a dry brush through an oil-based glaze to create irregular linear patterns. Skilled decorators can achieve imitation wood finishes in this way, by raking long, narrow strokes with I special straight haired brushes called floggers.
You can use any dry brush, however, and many irregular patterns and line widths can be achieved, depending on the con your brush. Dragging through a wall glaze using a fine, soft brush results in a subtle fine line finish. Adding a graining comb finish to distort and offset these lines can give the appearance of exotic wood. This technique works well on furniture and wood panels.
Using the wood graining technique, you can make your surface look like the raised grain on planed timbers. Select your eggshell base coat carefully, for example, using a MING mid-yellow base showing through an orange glaze to imitate pine. Other combinations Will give an appearance similar to other types of wood. Use a 50:50 mix in your chosen oil-based glaze and brush it on evenly.
Any brush marks that are left visible must run in the final direction of the gram. When You are satisfied with the even color, drag a dry brush through the glaze leaving veins of base color exposed.
The width of the grain effect will depend on the age and condition of the brush. Rubber rockers and graining combs can be used to imitate the peculiarities of a natural timber surface, such as the fibres, grain spirals, bands of paler tissue and so on.
You Will Need:
- Eggshell base color.
- Dry Brush.
- Oil Based Glaze.
- Graining Comb.
Step of Wood graining
- Step One: To wood grain, apply glaze generously over the base coat, working parallel to the grain on wooden surfaces.
- Step Two: Using dry flogger, drag a series of parallel lines in the glaze to create the pattern of the grain.
- Step Three : Use a graining comb to manipulate the parallel lines and make interesting patterns.
Dragging is, in reality, the first part of wood graining, but if you select an entire wall for this effect, only drag half the wall at a time otherwise the brush will overload because it picks up too much glaze from the surface. Always keep the brush as dry as possible you may find this easier if you drag the second half of the wall upwards from the floor, meeting in the middle. Lessen the pressure as you move through the join, and don’t meet in exactly the same place as you move along the wall. Try to vary this by 30cm/ 1ft or so.
You will Need :
- Pale base color.
- Contrasting color or glaze.
- Dry long haired Flogger.
Step of Wood Dragging :
- STEP 1 : To create a denim effect, first paint the wall surface with a very pale blue base coat.
- STEP 2 : Paint the surface with a denim blue, which should contrast well with the underlying color.
- STEP 3 : Drag a long haired flogger over the wall over the wall from top to middle and bottom to middle.
Other effects :
A variety of effects involving oil-glaze graining and dragging can be achieved using manufacturers paint-effect kits, consisting of base coat, top coat and effect applicators. For example, you can create your own blue-jeans wall finish in this way.
A denim blue top coat is rollered over a dry, very pale blue base, and then dragged with a long haired flogger brush, which can be used to create a denim jeans-effect, from ceiling and floor to the middle of the wall. Follow the kit instructions because a protective final coat may be needed.
On modem, smooth walls, a floor to ceiling denim effect adds a cool, unusual feel. Or, if you prefer, the traditional blues can be replaced by other color combinations.
One: To drag a surface, once you have applied the base coat, draw a dry flogger ave it, working from the top to about halfway down.
Second : Then drag the brush upward from the float, meeting at different points along the wall. Don’t worry If the lines are not perfectly straight.